In this last blog I want to turn the conversation toward something that has lately occupied me in my writing and thinking about photography and photographic practice. Many of the arguments put forward in the previous posts are deeply informed by the notion that photography is not passive.
George Baker is a writer, curator, and co-editor of OCTOBER Magazine. He has written or edited books on photographers including Gerard Byrne (2003), James Coleman (2003), and is currently finishing a book stemming from his 2005 essay “Photography’s Expanded Field.” Focused on the work of four women artists—Zoe Leonard, Tacita Dean, Moyra Davey, and Sharon Lockhart—the forthcoming book will be entitled Lateness and Longing: On the Afterlife of Photography (University of Chicago Press, 2014). He teaches at the University of California, Los Angeles (UCLA).