My previous posts have explored the various ramifications of photography’s reproducibility, pursuing the way this attribute disseminates the photograph, securing, dispersing and dissipating its identity in about equal measure. I have suggested that this pursuit considerably complicates the traditional representation of photography’s history, undermining any narrative based on single artists or single prints or indeed [...]
David Campany writes, curates and makes art. His books include Walker Evans: the Magazine Work (2013), Gasoline (2012), Jeff Wall: Picture for Women (2009), Photography and Cinema (2008) and Art and Photography (2003). He co-founded PA magazine. In 2013 he curates shows of the work of Mark Neville and Victor Burgin. He teaches at the University of Westminster.